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Asian Screens, Scrolls & Woodblock Prints

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I have a small collection of Japanese woodblock prints and scrolls, but I'll use Loveit to learn and explore more about this subject.

Stoneware kendi painted with four-clawed dragon. Vietnam, c. 1440–1480. From BritishMuseum.org

Kakiemon elephants from Japan, Edo period, late 17th c. AD. From BritishMuseum.org

Woodblock print, oban tate-e. Minamoto no Tametomo shooting down with a bow and arrow. From BritishMuseum.org

Kitagawa Utamaro, Lovers in an upstairs room, from Uta makura ('Poem of the Pillow'). From BritishMuseum.org

A RARE MING-STYLE BLUE AND WHITE BASIN

A GROUP OF THREE GE-TYPE SCHOLAR'S OBJECTS

A Cizhou-Type Russet-Splashed Blackish-Brown-Glazed Dish NORTHERN SONG/JIN DYNASTY, 10TH-13TH CENTURY

A Blue and White Ovoid Jar Circa 1640

The Great Wave off Kanagawa, by Katsushika Hokusai

Woodblock print by Japanese artist Ray Morimura

Hiroshige

Koson

Returning Home Late from a Spring Outing Tai Chin (1388-1462),...

Koi by morgantj

Two-panel Japanese Kano-school screen painting

Bat Before the Moon

Japanese Painting from the Gitter-Yelen Collection

Toshi Yoshida, Wisteria at Ushijima, 1953

El Capitan, Yosemite Valley woodblock print by Hiroshi Yoshida, 1925

Storks

Katsushika Hokusai, "The Great Wave off Kanagawa (Kanagawa oki nami ura) from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)" c. 1830–32 — Art Institute of Chicago

Art Institute of Chicago — Utagawa Hiroshige (Japanese, 1797-1858). "Kanbara, Evening Snow (Kanbara, yoru no yuki), from the series 'The Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)'" 1832/34

Totoya Hokkei (Japanese, 1780–1850). Peacock on the Pine Tree; Peonies, 19th century. Japan. The Metropolitan Museum of Art, New York.

Utagawa Hiroshige (Japanese, 1797–1858). Peacock Perched on a Maple Tree in Autumn, ca. 1833. Japan. The Metropolitan Museum of Art, New York.

Medallion with Two Peacocks, 16th century. Ming dynasty (1368–1644). China. The Metropolitan Museum of Art, New York.

Utagawa Hiroshige (Japanese, 1797–1858). Revelers Returned from the Tori no Machi Festival at Asakusa, from the series One Hundred Famous Views of Edo, 1857. Japan. The Metropolitan Museum of Art, New York.

Kitagawa Utamaro (Japanese, 1753–1806). A Woman and a Cat, ca. 1793–94. Edo period (1615–1868), Japan. The Metropolitan Museum of Art, New York.

Utagawa Hiroshige (Japanese, 1797–1858). Egret in Iris and Grasses, ca. 1837. Edo period (1615–1868). Japan. The Metropolitan Museum of Art, New York.

Totoya Hokkei (Japanese, 1780–1850). Courtesan Dancing, early 19th century. Japan, Edo period (1615–1868). The Metropolitan Museum of Art, New York.

Asian Koi Poster at TigerHouseArt

Two Koi Swimming Towards Happiness Art Poster Print

Cherry Blossom at Yanaka, woodblock Rey Morimura

bamboo

Okumura Masanobu, Utagawa Hiroshige, Hiroshi Yoshida

Kameido Bridge by Hiroshi Yoshida

1933 Tsuchiya Koitsu Woodblock Print

Wu Hufan, 1965, Celebrate the Success of Our Glorious Atomic Bomb Explosion! Hanging scroll, ink and colour on absorbent paper, 135 x 67 cm. Shanghai Chinese Painting academy.

Utagawa Toyokuni I (1769-1825) Bando Mitsugoro as a Samurai Subduing a Tiger, 1810’s. Oban.

Part of the series 53 Stations on the Tokaido by Hiroshige, 1855

Lan Ying

The Great Wave off Kanagawa by Katsushika Hokusai

A textile kakemono (hanging scroll) with a plum branch. Signed: Aoki Giho. Japan 20th Century Showa period

Reproduction of Katsushika Hokusai’s Wave from the cover of the 1905 edition of La Mer - Claude Debussy

A two-fold paper screen painted in ink and colour on a gold ground with a Bijin (beauty) accompanied by a dog passing through a rope curtain. Japan 19th century Edo period

Tang Yin (Tang Bohu)